![]() In proffering this argument, we challenge and confront elements of the global knowledge system, which are driven by an implicit “civilising mission” in which methods and intellectual approaches drawn from the West are seen as sacrosanct, while approaches and concepts emerging from the Global South are deemed to have a lower ontological density in the hierarchical ordering of knowledge. This introductory essay argues for a decolonial approach that privileges qualitative methods in ways that position African digital experiences as “epistemic sites” of knowledge production in their own right in digital media scholarship. Lab studies and a subsequent deployment on participants' own devices identified key benefits of the approach in these contexts, including for security, resource sharing, and privacy. While APPropriate is useful for a wide range of contexts, the design was envisaged through a co-design process with resource-constrained emergent users in three countries. Picking up another device when carrying APPropriate transfers all pertinent content to the borrowed device (using local no-cost WiFi from the APPropriate device), transforming it to give the impression that they are using their own phone. Its purpose is simple: to hold a copy of the local content an owner has on their mobile, liberating them from carrying a phone, or allowing them to use another device that provides advantages over their own. APPropriate is a small, cheap storage pod, designed to be easily carried in a pocket or hidden within clothing. #DONALD UNPREDICTABLE DATAFILEHOST ANDROID#We present APPropriate - a novel mobile design to allow users to temporarily annex any Android device for their own use. Thus the 'ghetto Internet' is limited in its potential for inclusivity or global reach, but is translocal, in that it communally connects the periphery. #DONALD UNPREDICTABLE DATAFILEHOST OFFLINE#Once downloaded, their media is distributed offline in communal spaces through services such as Bluetooth. ![]() This means media circulates online with limited visibility, accessed by other remote hip-hop township communities through Facebook, so creating what I describe as a translocal 'ghetto internet'. Instead, they distribute their media files on marginal 'grey' platforms such as Datafilehost. Due to the constraints of mobile data costs, they avoid mainstream web 2.0 platforms. They distribute these through various offline and online platforms. ![]() Hip-hop artists create digital MP3 recordings using secondhand computers and basic microphones. It relates examples from the author's documentary film, Digital Hip-Hop Headz, to scholarly discourse. This paper describes digital distribution strategies of hip-hop artists from the black townships in a town in South Africa. ![]()
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